Junker, 2021, exhibition view, Bureau, New York
Everybody Knows, 2020, exhibition view, SpazioA, Pistoia, project space
Everybody Knows, 2020, exhibition view, SpazioA, Pistoia, project space
Some Objects in the Music Room, 2020, laminate, digital print, wood, cm 44.7 x 62.5 x 7
Two Side Tables in the Music Room, 2020, laminate, digital print, wood, cm 45 x 61 x 8.7
Felix’s Community (#5), 2020, laminate, tile, grout, wood, plastic bags, post it notes, pencil,plastic tub, resin salt shakers, pepper shakers, hand sanitizer, face toner, ink jet print, plexi, cm 114 x 97 x 109
Who am I? Who am I! (#2), 2020, laminate, tile, grout wood, plastic bag, plastic storage tub,salt shaker, pepper shaker, resin, spray bottle, ink jet print, plexi, foam koala, cm 140 x 46 x 107
Label #6, 2019, tile, wood, UV print on acrylic, cm 66 x 76 x 6
Label #7, 2019, tile, wood, UV print on acrylic, cm 84 x 66 x 6
Chair / System, 2017, laminate, clothing, plastic bags, hangers, water bottles, cm 99 x 79 x 46
Rack / System, 2017, laminate, clothing, plastic, bags, hangers, water bottles, aluminum, pencil, cm 148 x 155 x 41
Bulletin Board #1, 2017, laminate, water bottle, UV plexi prints, charcoal, tape, paper, thumb tack, cm 94 x 95 x 13
Label #2, 2016, tile, ceramic, UV print on acrylic, inkjet print, paper, tape, cm 84 x 65 x 6

SELECTED SOLO AND TWO-PERSON EXHIBITIONS
2021
• Junker, Bureau, New York, NY

2020
• Everybody Knows, SpazioA, Pistoia, Italy

2018
• Confidence in Motion, Downstairs Projects, New York, NY

2017
• Noon and Afternoon, Bureau, New York, NY
• Libby Rothfeld, Pumpkin Head, Red Hook, NY
• 1999, Antoine Renard & Libby Rothfeld, curated by Siliqoon, Marsèlleria, Milan, Italy
• A Dumb Sound, A Sweet Bell, Anne Libby & Libby Rothfeld, 315 Gallery, Brooklyn, NY
• AAa:Quien, Erica Baum & Libby Rothfeld, Bureau, New York, NY

2015
• Libby Rothfeld, First Continent, Baltimore, MD
• Good To Think With, Good To Think Against, Kimberly-Klark, Queens, NY

AWARDS AND RESIDENCIES

2017 Lab at Siliqoon, Bologna-Milan, Italy

2016 Interstate Projects, Brooklyn, NY

2014
• The Richard Hirsch Memorial for Students in the Arts, New York University
• Louise Bourgeois Residency, YADDO, Saratoga Springs, NY

2012 Ox-Bow, Saugatuck, MI

SELECTED BIBLIOGRAPHY

• Will Heinrich, ‘Beauty Can Be the Opposite of a Number,’ The New York Times, February, 2020
• Krzysztof Kosciuczuk, ‘As ‘Friend of a Friend’ Opens in Warsaw, We Pick the Shows to See,’ Frieze, April, 2019
• Grace Ann Leadbeater, ‘Libby Rothfeld,’ Close Journal, Edition Two: Family, p.94 – 101, 2018
• Nico Jacobsen, ‘Artist Interview: Libby Rothfeld,’ Totokaelo, May, 2018
• Yin Ho, ‘Critic’s Pick: Libby Rothfeld,’ Artforum.com, December, 2017
• Kaitlyn A. Kramer, ‘Critic’s Pick: Erica Baum & Libby Rothfeld,’ Artforum.com, January, 2017
• Chris Wiley, “AAa:Quien,” ‘Goings on About Town,’ The New Yorker, January, 2017
• Nicholas Chittenden Morgan, ‘Critic’s Pick: Daydream 2013.’ Artforum.com, August, 2016
• ‘Studio Visit: Libby Rothfeld,’ Sex Magazine, July, 2016
• ‘From Now On (Anymore),’ Sorry Archive, 2016
• Alex Jovanovich, ‘Critic’s Pick: Libby Rothfeld,’ Artforum.com, February, 2015
• ‘Charm School, Dream The End,’ curated by Alexander Jovanovic, 2015

SELECTED GROUP EXHIBITIONS
2020
• Until tomorrow: Ten Years of Bureau, Bureau, New York, NY
• Beauty Can Be the Opposite Of a Number, Bureau, New York, NY

2019
• Commutiny, Sibling, Toronto, Ontario, Canada
• Rubus Armeniacus (Himalayan blackberry), Jessica’s Apartment, New York, NY
• Friend of a Friend, Galeria Stereo hosting Bureau and Union Pacific (London), Warsaw, Poland

2018
• Condo New York: Bureau hosting Kristina Kite Gallery (Los Angeles) and Hopkinson Mossman (Auckland/Wellington), New York, NY
• Ascending Delight, Savoy Centre, Glasgow International, Glasgow, Scotland
• Condo London: Southard Reid hosting Bureau (New York) and Park View (Los Angeles), London, United Kingdom
• Darren Bader: more or less, with Anca Munteanu Rimnic, Michael E. Smith, and a cast of thousands, Sadie Coles HQ, London, United Kingdom

2017
• Homestead, Carl Louie, London, Ontario, Canada
• In The Hopes of Not Being Considered, Kate Werble Gallery, New York, NY

2016
• 189 Beach 86th St, organized by Justin Caguait and Irina Lotarevich, Rockaway, NY
• Return Policy, Howard St., New York, NY
• 2000, Sydney-Sydney, Sydney, Australia
• Daydream from 2013, curated by Matthew Flaherty, Canada, New York, NY
• Boil the Ocean, Bodega, New York, NY
• Welcome to Earth, The Story So Far…, High-Tide Gallery, Philadelphia, PA
• Plain Sight, Albertine Monroe-Brown Gallery, West Michigan University

2013
• Libby Rothfeld, Swig Arts Center, Hightstown, NJ

2012
• Switch Hook and Tone Dialer, Commons Gallery, New York, NY
• Taylor, Kim, Rothfeld and Sons, Rosenberg Gallery, New York, NY

2010

• Amundsen’s Tent, Gallery 8 in 80WSE Gallery, New York, NY