The Venus Trap, 2021, exhibition view, FIAC, Paris, 2021
Nepenthes #2, 2021, brushed steel, mouth-blown glass, cm 114 (steel), cm 36 x 6 (glass)
Venus Traps (Dionaea muscipula), 2021, 10 shells, variable dimensions
How to be together, 2021, exhibition view, Art Encounters Biennial 2021, Timișoara, RO
Drosera capensis, 2021, glass, chrome-plated steel approx. cm 80 x 40 (glass), cm 130 steel (steel)
Drosera rotundifolia, 2021, glass, chrome-plated steel approx. cm 40 x 50 cm (glass), cm 130 (steel)
DucatoPrize 2021, Contemporary Art section, 2021 exhibition view, Volumnia (former Church of Sant’Agostino), Piacenza, IT
Olev Subbi: Landscape from the End of Times, 2020, Tallinn Art Hall, EE
Gommage, 2016, archival print on Hahnemuhle paper mounted on plywood plinth, sycamore tree bark flakes, cm 20 x 42 x 141. Exhibition view of 'Taking Root', at Kunst im Tunnel (KIT), Dusseldorf, DE
Inhalation of an oceanic carbon breath, 2019, exhibition view, Etopia Center for Art & Technology, Zaragoza, ES
Inhalation of an oceanic carbon breath, 2019, exhibition view, Etopia Center for Art & Technology, Zaragoza, ES
The long term you cannot afford. On the distribution of the toxic, 2019, exhibition view, Savvy Contemporary, Berlin, DE
Vertieberries, 2019, solo presentation at Liste, Basel, CH
Corporealle, 2019, exhibition view, Künstlerhaus Bremen, Bremen, DE
Manifacturing the nature, naturalize the synthetic, 2018, exhibition view, XXXIIe Ateliers Internationaux du Frac des Pays de la Loire, Carquefou
An animal that was once thought to be a plant that transformed into stone, 2018, exhibition view, SpazioA, Pistoia
An animal that was once thought to be a plant that transformed into stone, 2018, exhibition view, SpazioA, Pistoia
Untitled (Pore), 2018, archival print su carta Hahnemühle Photo Rag, cm 60 x 40
Crash Test Dummy (passenger), 2018, car seat, leather, fossilized coral, cm 55 x 60 x 90
Left phalanx, 2018, fired clay, cm 70 x 50
Brittle bones II, 2018 fired porcelain and coral calcium, metal stand, cm 118 x 98 x 50 approx.
Litho/swing, 2017, concretion, leather, chains, stainless steel structure (dimensions variable)
Concretions #01, 2017, Framed Ultrachrome print on Epson Enhanced synthetic paper, mounted on VisualBond, cm 40 x 60
Concretions #04, 2017, Framed Ultrachrome print on Epson Enhanced synthetic paper, mounted on VisualBond, cm 40 x 60
Lithosome, 2017, Archival inkjet print on Hahnemuhle paper, cm 40 x 60
Morpheus, 2017, welded iron structure, coated leather, cm 82 x 86 x 80
Echo, 2017, 40 Albino snail shells, 20 airpods, i-pod, sound, table, 3’ 20” (sound, loop), cm 90 x 77 x 182 (table)
Echo, 2017, 40 Albino snail shells, 20 airpods, i-pod, sound, table, 3’ 20” (sound, loop), cm 90 x 77 x 182 (table), detail
Conversation with a stone, 2016, exhibition view, SpazioA project space, Pistoia
Conversation with a stone, 2016, exhibition view, SpazioA project space, Pistoia
Sleight-of-hand, 2015, PVC curtain, archival print on Hahnemühle paper cm 230 x 400, cm 60 x 80 / Installation view at Kunstverein Nürnberg - Albrecht Dürer Gesellschaft, Nürnberg, DE
Forms follow, 2016, welded iron structure, leather, cm 78 x 70 x 75
A fuzzy feeling (room divider), 2016, wooden frame, archival print on Hahnemuhle paper, cm 180 x 160 / Installation view at Kube Musette Project Space, Bucharest
Her latent image, 2016, exhibition view at Kube Musette Project Space, Bucharest
Where touch begins, we are, 2016, single-channel HD video, 7':35", seven interactive water washed stones with touch sensors, variable sizes, seven sounds / Installation view at ODD Project Space, Bucharest, RO
Where touch begins, we are, 2016, single-channel HD video, 7':35", seven interactive water washed stones with touch sensors, variable sizes, seven sounds / Installation view at ODD Project Space, Bucharest, RO

SOLO EXHIBITIONS
2021
 Waterlily Jaguar, SpazioA, Pistoia

2019
• Corporealle,Künstlerhaus Bremen, curated by Nadja Quante, Bremen, DE
• Verterberries, solo presentation with Sabot Gallery, Liste, Basel, CH
• Acumen, Porcino, ChertLüdde, Berlin, DE

2018
• An animal that was once thought to be a plant that transformed into stone, SpazioA, Pistoia, IT

2017
• Lithosomes, Exile Gallery, Berlin, DE

2016
• Conversation with a stone, SpazioA (project space), Pistoia, IT
• Her latent image, Kube, Bucharest, RO

2015
• Hands don’t make magic, Sabot Gallery, Cluj-Napoca, RO

BIBLIOGRAPHY
– FRAC PDL – ART CONTEMPORAIN, XXXIIe ATELIERS INTERNATIONAUX, 2021
– A. Bojenoiu, C.Nae, Romanian Contemporary Art 2010-20. Rethinking the Image of the World: Projects and Sketches, 2020
– J. Laia, HOT! POINTS OF CONTACT. SOME NOTES ON THE WORK OF NONA INESCU, CURA nr 29, pp 217 -221, 2018
– E. Miliani, An animal that was once thought to be a plant that transformed into stone, exhibition review, Flash Art 340, 2018

GROUP EXHIBITIONS
2021
• You sit in a garden, Critical Distance Centre for Curators (CDCC), curated by Chris Andrews, Toronto, CA
• How to Be Together, Art Encounters Biennial 2021, Art Encounters Foundation, Timișoara, RO
• The Odd Year II, curated by Veronika Cechov, GAVU POP-UP Gallery, Prague, CZ
Electric Crossroadscurated by Radu Oreian, Bubble’n’Squeak, Bruxelles, BE
• DucatoPrize 2021, Contemporary Art section, Volumnia (former Church of Sant’Agostino), Piacenza, IT
• You Sit in a Garden, curated by Chris Andrews, Centre CLARK, Montréal, Critical Distance, Toronto, CA

2020
• Flow, Francesco Carone’s studio, Pistoia, a project by Francesco Carone and SpazioA, Pistoia, IT
• touch, Peles Empire, Berlin, DE
• Walking In Ice, XC.HuA Gallery, Berlin, DE
• Olev Subbi:Landscape From the End of Times, curated by Àngels Miralda, Tallinn Art Hall, Tallinn, EE

2019
• The Long Term You Cannot Afford. On the Distribution of the Toxic, curated by Antonia Alampi, Savvy Contemporary, Berlin, DE
• Taking Root, curated by Jurriaan Benschop, Kunst im Tunnel (KIT), Dusseldorf, DE
• The invisible inhale of an oceanic carbon breath, curated by Cristina Ramos, Etopia Centro de Arte y Tecnología, Zaragoza, ESP
• Mutagenèse, curated by Nicolas de Ribou & Joris Thomas, Maison R&C, Marseille, FR
• Tales of the haunted and the body, Casa Cristea Schneider, curated by Saskia Höfler-Hohengarten, Berlin, DE
• Interconnection: On Bodies of Water, curated by Veronika Čechová & Tereza Jindrová, Swimming Pool Projects, Sofia, BG
• Imbroglio (or the possibility to incorporate possibilities) curated by Like a little disaster, Polignano a Mare, IT
• Turbulences, Mirage Festival, Lyon, FR
• What remains is what the poets found, PS120, curated by Jesi Khadivi & Justin Polera, Berlin, DE

2018
• Manufacturing Nature/Naturalizing The synthetic, curated by Diana Marincu, Frac des Pays de la Loire, Carquefou, FR
pre> <history>, Romanian* Art Now, Suprainfinit Gallery, Bucharest, RO
• 10 Years of Love, SpazioA, Pistoia, IT
• The Inhabitant – Nona Inescu, Klara Hosnedlova, Polansky Gallery, Prague, CZ

2017
• Life a User’s Manual, curated by Ami Barak and Diana Marincu, Art Encounters 2017, Various Venues, Timișoara, RO
• Survival Kit 9 Becoming an Apricot * an Apple * a Crow * a Tree * a Cockroach * a Glacier * a Plant * a Mushroom * a Shell * a Bird * Algae, curated by Jonatan Habib Engqvist, Inga Lace, Solvita Krese, Faculty of Biology of the University of Latvia, Riga, LV
• Grotto Capitale, Exile, Berlin, DE
• Notes on the Afterlife, curated by Rokolectiv, Salonul de Proiecte, In the frame of Rokolectiv Festival, Bucharest, RO
• Aerial Roots, Trapéz Gallery, Budapest, HU

2016
• Events with no cause (II), Camera Plus. Biennial of Contemporary Photography and Moving Image I, Iasi, RO
• Gestures of Tomorrow, Kunstverein Nuernberg – Albrecht Dürer Gesellschaft, Nuremberg, DE
• Künstlich, Natürlich!, Sabot Gallery, Cluj-Napoca, RO
• The Disappearance of Technology, ODD, Bucharest, RO

2015
• Objects of Desire, Sabot Gallery, Cluj-Napoca, RO
• Megatron, Romanian Cultural Institute, Vienna, AT
• 14 x 14 – Survey of the Danube Region, Contemporary Art Museum project space, Bucharest, RO

2014
• Handbook of aesthetics, Monolith Building, Bucharest, RO