1/40 ground-ground, 2017, exhibition view, SpazioA, Pistoia
2/40 ground-ground, 2017, exhibition view, SpazioA, Pistoia
3/40 ground-ground, 2017, exhibition view, SpazioA, Pistoia
4/40 Offspring 2017 - DEEP STATE, 2017, exhibition view, De Ateliers, Amsterdam
5/40 Offspring 2017 - DEEP STATE, 2017, exhibition view, De Ateliers, Amsterdam
6/40 Paris Internationale, 2016, exhibition view
7/40 Aprile 0001, 2016, metal bar, rubber pipe fragment, car component fragment, branch fragment, epoxy resin, marble dust, fresh clay, cm 200 x 12 x 6
8/40 Aprile 0006, 2016, chair fragment, black vernice, marble dust, fresh clay, epoxy resin, cm 45 x 44 x 10
9/40 Untitled, 2016 (ash bones, plaster, graphite powder, silicon rubber, natural asphalt, bones, char, fresh fruits, car fragments, polyester resin), installation view at Billytown, Den Haag (Photo: jhoeko)
10/40 Untitled, 2016 (ash bones, plaster, graphite powder, silicon rubber, natural asphalt, bones, char, fresh fruits, car fragments, polyester resin), detail. Installation view at Billytown, Den Haag (Photo: jhoeko)
11/40 Untitled, 2016 (ash bones, plaster, graphite powder, silicon rubber, natural asphalt, bones, char, fresh fruits, car fragments, polyester resin), detail. Installation view at Billytown, Den Haag (Photo: jhoeko)
12/40 Untiled, 2016, (pipes fragments, silicone rubber, clay, black bones), installation view with Marco Mazzoni at Laboratorio del Dubbio, Torino
13/40 Untiled, 2016, (pipes fragments, silicone rubber, clay, black bones), installation view with Marco Mazzoni at Laboratorio del Dubbio, Torino
14/40 Untiled, 2016, (chair fragments, black bones, graphite powder), installation view at Frigoriferi Milanesi, Milano
15/40 Untiled, 2016, chair fragment, black bones, installation view at Frigoriferi Milanesi, Milano
16/40 Untiled, 2016, (ash bones, plaster, graphite powder, cristobalite, sodalite, silicone rubber, fresh fruits, polyester resin)
17/40 Untiled, 2016, ash bones, plaster, graphite powder, silicone rubber
18/40 Untiled, 2016, polyester, cristobalite, sodalite
19/40 Untiled, 2015, polyester, marble dust, exhibition view at Greylight project, Brussels
20/40 Untiled, 2015, polyester, marble dust, exhibition view at Greylight project, Brussels
21/40 Mai, 2014, exhibition view at Tile Project Space, Milano
22/40 Mai, 2014, exhibition view at Tile Project Space, Milano
23/40 Ritratto perso, Ritratto perso #2, Ritratto perso#3, 2014, exhibition view at Tile Project Space, Milano
24/40 La terra bassa, 2014, exhibition view, SpazioA, Pistoia
25/40 Almost invisible #5, 2014, plastic chair, cm 68 x 50 x 50
26/40 Mezzobusto, 2014 , polyester, marble dust, clay cm 65 x 50 x 37
27/40 Almost Invisibles, 2014, exhibition view at A Petite Fair, Rome Edition
28/40 Almost Invisibles, 2014, exhibition view at AKV St.Joost, Den Bosch-Breda
29/40 Almost Invisibles, 2014 , exhibition view at AKV St.Joost, Den Bosch-Breda
30/40 Wet gray-ground(2 pieces), 2013, plastic foils installation view, -w-o-l-k-e, Brussel
31/40 If you want me again look for me under your boot-soles, 2013, exhibition view at Artissima, 2013 Present Future
32/40 If you want me again look for me under your boot-soles, 2013, exhibition view at Artissima, 2013 Present Future
33/40 If you want me again look for me under your boot-soles (wet grey), 2013, videostill
34/40 Halfground, 2013 , exhibition view SpazioA project space, Pistoia
35/40 Untitled (landscape) 2012, video on digital support
36/40 WAITING ROOM/ exercise for a fall, 2011-2012, spent neon lights, cables. variable dimensions
37/40 Dove comincia il buio, 2011, lamp, electric cable
38/40 PARETE/esercizio per una rottura, 2011, autoclaved aerated concrete fragmented wall section, ratchet strap cm 58 x 55 x 10
39/40 PASSO, PIAZZA, STRADA/esercizio per una rottura, 2011, broken asphalt plate placed on floor cm 203 x 146 x 2
40/40 pianoB/7morsetti, 2010, house within which an earthquake occurred, nylon cordstraps, seven inox claps. Parco per l’Arte di Cancelli, Foligno.

GIULIA CENCI
biography PDF

Born 1988, Cortona, IT
Lives and works in Amsterdam, NL

EDUCATION

2013 – 2015    St.Joost Academy, Den Bosch-Breda, NL
2007 – 2012   Academy of Fine Arts, Bologna, IT

RESIDENCIES
2015 – 2017 de Ateliers, Amsterdam, NL
2012 September 18 – October 22 at HIAP, Helsinki.
2012 Are We Really Free?, tutor Liliana Moro (IT), FondazioneAntonio Ratti, Como IT

SOLO EXHIBITIONS

2017
ground ground, SpazioA, Pistoia, IT
Carreras Mugica (Hall), Bilbao ES

Offspring 2017 – DEEP STATE, curated by Lara Almarcegui and Martijn Hendriks, De Ateliers, Amsterdam, NL

2014
Mai, Tile Project Space, Milano, IT
La terra bassa, SpazioA, Pistoia, IT

2013
Present future, Artissima, Torino IT
Default, curated by Antonio Grulli, Gaff, Milano IT
Halfground, SpazioA project space, Pistoia IT

2011
Tutto quello che non riesco a dirti, project curated by Lelio Aiello, Y’art Project, Bologna IT

 

GROUP EXHIBITIONS

2018

String figures: narrative practices, curated by Caterina Molteni, Fondazione Baruchello, Roma
10 Years of Love, SpazioA, Pistoia
That’s IT!, curated by Lorenzo Balbi, MAMBO, Bologna
Hybrids, curated by Chris Driessen & David Jablonowski, Lustwarande, Platform for Contemporary Sculpture, park
De Oude Warande, Tilburg (NL)

2017
Club GAMeC Prize 2017, curated by Domenico de Chirico, MAGUS, Bergamo
Public Hybrids, curated by David Jablonowski, Art Cologne 2017
A Bearable Lightness of Being, Grimm gallery, Amsterdam

2016
Sessile, curated by Josh Minkus, Clifford Gallery, Colgate Univesity, Hamilton New York
Disappointment Island, organised by Galeria Stereo, Griffin Art Space, Warsaw, PL
La fine del nuovo / The End of the New – cap.VII | Chiavi in mano / Keys in Hand, Avoncampolin noprofit, Pordenone, IT
The Lasting. L’intervallo e la Durata, curated by Saretto Cincinelli, Galleria nazionale di Arte Moderna e Contemporanea, GNAM, Roma , IT
BEZ NAZVANIYA, duo project with Marco Mazzoni, Laboratorio del Dubbio, Torino, IT
Back in Five Minutes, Martin Van Zomeren, Amsterdam, NL
Time Out of Mind, a project by Whatspace curated by Jeroen Doorenweerd, Billytown, Den Haag, NL
Inside David’s thigh, organized by Nicola Martini, Room service, New York, USA
2015
Ri-pensare il medium: il fantasma del disegno, curated by Cristiana Collu and Saretto Cincinelli, Casa Masaccio, San Giovanni Valdarno IT
Biennale Giovani, Monza, Palazzo dell’Arengario, Monza IT
Neighbours vol. III, Neighbours, Gent BE
Premio Moroso, Villa Manin, Passariano, Codroipo (Udine) IT
Lumination, curated by Alex Bacon, Patricia Low Contemporary, Gstaad CH
2014
T, curated by Giovanni Oberti, Via Carlo Porta, Monza IT
Premio Santa Croce, curated by Ilaria Mariotti, Villa Pacchiani, Santa Croce Sull’Arno, IT

2013
Xohouille, w-o-l-k-e, Brussels B
Desktop/cartabiancaxpalermo, ZAC Palermo IT
Still Light, HIAP, Suomenlinna, Helsinki, FIN
Fessure, curated by Ermanno Cristini, Luca Scarabelli, Samuele Menin. MIDEC, Cerro di Laveno, Varese, IT
Picasso D’Oro, Studio VP93, Milano, IT
Caduta di Stile, INTERNO 4, Bologna, IT

2012
Ni Dieu Ni Maitre, curated by Andrea Bruciati, Galleria Massimo de Luca, Mestre, Venice, IT
Differenti Attitudini, curated by Roberto Daolio, Vero Stoppioni Museum, SantaSofia, Forlì IT
Corso Aperto, collective exhibition of the participant artists of XVIII Advanced Course in Visual Arts, Visiting Professor Liliana Moro, curated by Andrea Lissoni, Antonio Ratti Foundation, Como, IT
Casabianca, curated by Anteo Radovan, Bologna, IT
Echoes, project by Katia Baraldi, EX- BRUN Farnè Space, Bologna, IT
cartabianca_bologna, curated by Silvia Cini, in cooperation with Francesca Serrati, and Roberto Daolio, Anna Santomauro, Massimo Marchetti, Museum of Contemporary Art Villa Croce, Genova, IT

2009
Schhh, collective exhibition, Bologna Fine Arts Academy, curated by John Duncan, Bologna, IT

WORKSHOPS

2012
Are We Really Free?, teacher Liliana Moro,Fondazione Antonio Ratti, Como.

2011
In un luogo imprecisato, teacher Liliana Moro, curated by Lelio Aiello , Dèjavù in cooperation whit Raum, Bologna.
Imparare dal Maghreb, come sbarazzarsi dei presidenti indesiderati?”, teacher Thomas Kilpper, curated by Lelio Aiello, Aritmia, Museo Marino Marini, Firenze.

2010
manufattoinsitu4, curated by viaindustriae and neoncampobase, Cancelli di Foligno.

BIBLIOGRAPHY
- The Lasting, l’intervallo e la durata, AAVV, Catalogo of the exhibition, Galleria Nazionale d’arte Moderna, Roma.
- Ripensare il medium: Il fantasma del disegno, Texs by Saretto Cincinelli, Cristiana Collu, Jean-Luc Nancy, Catalog of the
exhibition, San Giovanni Valdarno, 2016.
- AA. VV., Moroso Concept For Contemporary Art, Villa Manin, Passariano, Codroipo (Udine) exhibition catalogue, 2015
- G. Bria, Giulia Cenci: una promessa a Milano, Artribune online, gennaio 2015
- C. Gestri, L’orizzonte a pochi centimetri da terra, Artribune online, ottobre 2015
- Vittorini S. Giulia Cenci. Archeologie del presente, arte e critica nr. 79, p. 107
- Grulli, A. inside the ArtVerona-Catalog, AA.VV. Carlo Cambi Editor, Siena, 2012, pp.62-64.
- AA.VV., The choice is yours, Catalog of Advanced Course in Visual Arts at Fondazione Antonio Ratti, Mousse Publishing, Milano, 2012
- Bruciati, A., De Luca M., Nie Dieu Nie Maitre, Catalog of the exhibition, Published by Galleria Massimo de Luca, Mestre-Venezia, 2012
-Farronato, M., Ultime da Via Farini, Artribune, vol. 1, no. 9, 2012, pp. 89