1/39 Shapeshifters, 2020, exhibition view at Malmö Konstmuseum, Malmö
2/39 Shapeshifters, 2020, exhibition view at Malmö Konstmuseum, Malmö
3/39 Metallo Urlante, 2019, exhibition view at Campoli Presti, Paris
4/39 mud, 2019, exhibition view Jeune Création Internationale, Institut d’art contemporain, Villeurbanne/Rhône-Alpes, 15e Biennale d’Art Contemporain de Lyon, FR
5/39 mud, 2019, exhibition view Jeune Création Internationale, Institut d’art contemporain, Villeurbanne/Rhône-Alpes, 15e Biennale d’Art Contemporain de Lyon, FR
6/39 mud, 2019, exhibition view Jeune Création Internationale, Institut d’art contemporain, Villeurbanne/Rhône-Alpes, 15e Biennale d’Art Contemporain de Lyon, FR
7/39 Territory, 2019, installation view, winner of Baloise Art Prize, Art Basel 2019
8/39 Da lontano era un'isola, 2019, exhibition view, Kunst Meran, Merano
9/39 Da lontano era un'isola, 2019, exhibition view, Kunst Meran, Merano
10/39 Da lontano era un'isola, 2019, exhibition view, Kunst Meran, Merano
11/39 white noise (scuro-scuro) #04, 2019, polyurethane foam, aluminium, iron, rubber, pellet ash, marble dust, volcanic ash, cm 158 x 100 x 100. Exhibition view, Da lontano era un'isola, Kunst Meran, Merano
12/39 Archipelago, 2018, installation view at incurva, open studio, Punta San Nicola, Favignana
13/39 Archipelago, 2018, installation view at incurva, open studio, Punta San Nicola, Favignana
14/39 ground-ground #02, 2018, iron, silicone, foam and rubber scraps, cm 55 x 235 x 95
15/39 Her (scuro-scuro), 2018, metal, epoxy clay, black mars, wax, cm 18 x 103 x 84
16/39 Hybrids, 2018, installation view, Lustwarande, Tilburg
17/39 Hybrids, 2018, installation view, Lustwarande, Tilburg
18/39 Her (low), 2018, metal, car fragment, epoxy resin, clay, cm 135 x 10 x 60
19/39 Medusa, 2018, car fragments, wood, epoxy resin, marble dust, vulcanic ash, cm 35 x 120 x 50
20/39 Field #13, 2018, car fragments, epoxy resin, cm 70 x 63 x 20
21/39 Cellar #3, 2018, fragments of car components (aluminium, plastic) tree branches, silicone rubber, urethan foam, clay, synthetic clay, steel cable, cm 183 x 100 x 13 (variable dimensions)
22/39 Field #3, 2018, car fragment, wood, epoxy resin, marble dust, vulcanic ash, cm 100 x 100 x 616
23/39 ground-ground, 2017, exhibition view, SpazioA, Pistoia
24/39 ground-ground, 2017, exhibition view, SpazioA, Pistoia
25/39 ground-ground, 2017, exhibition view, SpazioA, Pistoia
26/39 Offspring 2017 - DEEP STATE, 2017, exhibition view, De Ateliers, Amsterdam
27/39 Offspring 2017 - DEEP STATE, 2017, exhibition view, De Ateliers, Amsterdam
28/39 Untitled, 2016 (ash bones, plaster, graphite powder, silicon rubber, natural asphalt, bones, char, fresh fruits, car fragments, polyester resin), installation view at Billytown, Den Haag (Photo: jhoeko)
29/39 Untiled, 2016, (chair fragments, black bones, graphite powder), installation view at Frigoriferi Milanesi, Milano
30/39 Untiled, 2016, (ash bones, plaster, graphite powder, cristobalite, sodalite, silicone rubber, fresh fruits, polyester resin)
31/39 Mai, 2014, exhibition view at Tile Project Space, Milano
32/39 La terra bassa, 2014, exhibition view, SpazioA, Pistoia
33/39 Almost Invisibles, 2014 , exhibition view at AKV St.Joost, Den Bosch-Breda
34/39 Wet gray-ground(2 pieces), 2013, plastic foils installation view, -w-o-l-k-e, Brussel
35/39 If you want me again look for me under your boot-soles, 2013, exhibition view at Artissima, 2013 Present Future
36/39 Halfground, 2013 , exhibition view SpazioA project space, Pistoia
37/39 WAITING ROOM/ exercise for a fall, 2011-2012, spent neon lights, cables. variable dimensions
38/39 Dove comincia il buio, 2011, lamp, electric cable
39/39 PASSO, PIAZZA, STRADA/esercizio per una rottura, 2011, broken asphalt plate placed on floor cm 203 x 146 x 2

GIULIA CENCI

biography pdf

Born 1988, Cortona, IT
Lives and works in Amsterdam, NL

EDUCATION
2015 – 2017      DeAteliers, supported by Mondriaan Fonds, Amsterdam, NL
2013 – 2015      St.Joost Academy, Den Bosch-Breda, NL
2007 – 2012     Academy of Fine Arts, Bologna, IT

SOLO EXHIBITIONS
2020
(upcoming) Premio MAXXI, MAXXI, Roma, IT
(upcoming) SpazioA, Pistoia,IT

2019
Art Basel | Basel, Statements section, CH
Da lontano era un’isola, curated by Christiane Rekade, Kunst Merano Arte, Merano, IT

2017
ground ground, SpazioA, Pistoia, IT
a través, Carreras Mugica (Hall), Bilbao, ES
Offspring 2017 – DEEP STATE, curated by Lara Almarcegui and Martijn Hendriks, De Ateliers, Amsterdam, NL

2016
LDD 05 (duo project with Marco Mazzoni) BEZ NAZVANIYA, Laboratorio del dubbio, Torino, IT

2014
Mai, Tile Project Space, Milano, IT
La terra bassa, SpazioA, Pistoia, IT

2013
Present future, Artissima, Torino, IT
Default, curated by Antonio Grulli, Gaff, Milano, IT
Halfground, SpazioA project space, Pistoia, IT

2011
Tutto quello che non riesco a dirti, project curated by Lelio Aiello, Y’art Project, Bologna, IT

GROUP EXHIBITIONS
2020
Shapeshifters, Malmö Konstmuseum, Malmö, SE
Prospects & Concepts, organized by Mondriaan Fonds, curated by Johan Gustavsson, Van Nelle Fabriek, Rotterdam, NL
Metallo Urlante, Campoli Presti, Paris, FR

2019
Jeune création internationale / 15th Lyon Biennale, curated by Palais de Tokyo, Institute of Contemporary Art, Villeurbanne/Rhone-Alpes, FR
Comrades of Time, Hardspace, Basel, CH
Art Club #27: #villamedicimylove, curated by Pier Paolo Pancotto Villa Medici – Accademia di Francia, Roma, IT

2018
Il disegno del disegno, Museo Novecento, Firenze, IT
FutuRuins, curated by Daniela Ferretti, Dimitri Ozerkov, with Dario Dalla Lana. Promoted by Hermitage
Museum, St. Petersburg, Palazzo Fortuny, Venezia, IT
Figure di spago: pratiche di narrazione, curated by Caterina Molteni, Fondazione Baruchello, Roma, IT
10 Years of Love, SpazioA, Pistoia, IT
That’s IT!, curated by Lorenzo Balbi, MAMBO, Bologna, IT
Hybrids, curated by Chris Driessen & David Jablonowski, Lustwarande, Platform for Contemporary Sculpture, park
De Oude Warande, Tilburg, NL

2017
Concretizing the Uninhabitable, Club GAMeC Prize 2017, curated by Domenico de Chirico, MAGUS, Bergamo, IT
Public Hybrids, curated by David Jablonowski, Art Cologne 2017, DE
Deposito d’arte italiana presente, curated by Ilaria Bonacossa and Vittoria Martini, Artissima, Torino, IT
A Bearable Lightness of Being, Grimm gallery, Amsterdam, NL

2016
Sessile, curated by Josh Minkus, Clifford Gallery, Colgate Univesity, Hamilton New York, USA
Disappointment Island, organised by Galeria Stereo, Griffin Art Space, Warsaw, PL
La fine del nuovo / The End of the New – cap.VII | Chiavi in mano / Keys in Hand, Avoncampolin noprofit,
Pordenone, IT
The Lasting. L’Intervallo e la Durata, curated by Saretto Cincinelli, Galleria Nazionale di Arte Moderna e Contemporanea, GNAM, Roma, IT
Back in Five Minutes, Martin Van Zomeren, Amsterdam, NL
Time Out of Mind, a project by Whatspace curated by Jeroen Doorenweerd, Billytown, Den Haag, NL
Inside David’s thigh, organized by Nicola Martini, Room service, New York, USA

2015
Ri-pensare il medium: il fantasma del disegno, curated by Cristiana Collu and Saretto Cincinelli, Casa Masaccio, San Giovanni Valdarno, IT
Biennale Giovani, Monza, Palazzo dell’Arengario, Monza, IT
Neighbours vol. III, Neighbours, Gent, BE
Premio Moroso, Villa Manin, Passariano, Codroipo (Udine) IT
Lumination, curated by Alex Bacon, Patricia Low Contemporary, Gstaad, CH

2014
Almost Invisble Series, Open Studio at AKV St.Joost, Den Bosch-Breda, NL
T, curated by Giovanni Oberti, Via Carlo Porta, Monza, IT
Premio Santa Croce, curated by Ilaria Mariotti, Villa Pacchiani, Santa Croce Sull’Arno, IT

2013
Xohouille, w-o-l-k-e, Brussels, BE
Desktop/cartabiancaxpalermo, ZAC Palermo, IT
Still Light, HIAP, Suomenlinna, Helsinki, FI
Fessure, curated by Ermanno Cristini, Luca Scarabelli, Samuele Menin. MIDEC, Cerro di Laveno, Varese, IT
Picasso D’Oro, Studio VP93, Milano, IT
Caduta di Stile, INTERNO 4, Bologna, IT

2012
Ni Dieu Ni Maitre, curated by Andrea Bruciati, Galleria Massimo de Luca, Mestre, Venice, IT
Differenti Attitudini, curated by Roberto Daolio, Vero Stoppioni Museum, Santa Sofia, Forlì, IT
Corso Aperto, collective exhibition of the participant artists of XVIII Advanced Course in Visual Arts, Visiting Professor Liliana Moro, curated by Andrea Lissoni, Antonio Ratti Foundation, Como, IT
Casabianca, curated by Anteo Radovan, Bologna, IT
Echoes, project by Katia Baraldi, EX- BRUN Farnè Space, Bologna, IT
cartabianca_bologna, collective exhibition curated by Silvia Cini, in cooperation with Francesca Serrati, and Roberto Daolio, Anna Santomauro, Massimo Marchetti, Museum of Contemporary Art Villa Croce, Genova, IT

RESIDENCIES
2018 BoCSArt, Cosenza, IT
Curva Blu, InCurva recidency, Favignana, IT
2015 – 2017 de Ateliers, Amsterdam, NL
2012 September 18 – October 22 at HIAP, Helsinki, FI
2012 Are We Really Free?, tutor Liliana Moro (IT), FondazioneAntonio Ratti, Como IT

GRANTS AND PRIZE
MAXXI BVULGARI PRIZE 2020 (shortlisted artist, selected by Marianna Vecellio
Werkbijdrage Jong Talent by Mondriaan Fonds (grant)
BATTAGLIA FOUNDRY SCULPTURE PRIZE (shortlisted, selected by Simone Menegoi)
Present Future, Artissima, Torino (shortlisted, selected by Qinyi Lim)

BIBLIOGRAPHY
D. de Beauvais, HOT! Giulia Cenci “Calm block fallen down here from an unseen disaster”, CURA nr 32, pp. 213-218, 2019
Da lontano era un’isola, Kunst Merano, Merano, exhibition catalogue, 2019
FutuRuins, Palazzo Fortuny, Venezia, exhibition catalogue, 2019
That’s IT!, MAMBO, Bologna, exhibition catalogue, 2018
C. Molteni, Giulia Cenci, Brand new, Flash Art Italia, nr. 336, Dicembre 2017
Offspring 2017 – DEEP STATE, De Ateliers, Amsterdam, exhibition catalogue, 2017
The Lasting, l’intervallo e la durata, AAVV, Catalogo of the exhibition, Galleria Nazionale d’arte Moderna, Roma.
Ripensare il medium: Il fantasma del disegno, Texs by Saretto Cincinelli, Cristiana Collu, Jean-Luc Nancy, Catalog of the exhibition, San Giovanni Valdarno, 2016.
AA. VV., Moroso Concept For Contemporary Art, Villa Manin, Passariano, Codroipo (Udine) exhibition catalogue, 2015
G. Bria, Giulia Cenci: una promessa a Milano, Artribune online, gennaio 2015
C. Gestri, L’orizzonte a pochi centimetri da terra, Artribune online, ottobre 2015
Vittorini S. Giulia Cenci. Archeologie del presente, arte e critica nr. 79, p. 107
Grulli, A. inside the ArtVerona-Catalog, AA.VV. Carlo Cambi Editor, Siena, 2012, pp.62-64.
AA.VV., The choice is yours, Catalog of Advanced Course in Visual Arts at Fondazione Antonio Ratti, Mousse Publishing, Milano, 2012
Bruciati, A., De Luca M., Nie Dieu Nie Maitre, Catalog of the exhibition, Published by Galleria Massimo de Luca, Mestre-Venezia, 2012
Farronato, M., Ultime da Via Farini, Artribune, vol. 1, no. 9, 2012, pp. 89