lento-violento (vertical prison), 2020, MAXXI BVLGARI PRIZE 2020, Maxxi Roma
lento-violento (defeated), 2020, MAXXI BVLGARI PRIZE 2020, Maxxi Roma
lento-violento (ininterrottamente) part A, 2020, MAXXI BVLGARI PRIZE 2020, Maxxi Roma
lento-violento (ring), 2020, MAXXI BVLGARI PRIZE 2020, Maxxi Roma
fango, 2020, exhibition view, SpazioA, Pistoia
Giulia Cenci, 2020, exhibition view, Mudam Luxembourg
Shapeshifters, 2020, exhibition view at Malmö Konstmuseum, Malmö
Shapeshifters, 2020, exhibition view at Malmö Konstmuseum, Malmö
Metallo Urlante, 2019, exhibition view at Campoli Presti, Paris
mud, 2019, exhibition view Jeune Création Internationale, Institut d’art contemporain, Villeurbanne/Rhône-Alpes, 15e Biennale d’Art Contemporain de Lyon, FR
mud, 2019, exhibition view Jeune Création Internationale, Institut d’art contemporain, Villeurbanne/Rhône-Alpes, 15e Biennale d’Art Contemporain de Lyon, FR
mud, 2019, exhibition view Jeune Création Internationale, Institut d’art contemporain, Villeurbanne/Rhône-Alpes, 15e Biennale d’Art Contemporain de Lyon, FR
Territory, 2019, installation view, winner of Baloise Art Prize, Art Basel 201
Da lontano era un'isola, 2019, exhibition view, Kunst Meran, Merano
Da lontano era un'isola, 2019, exhibition view, Kunst Meran, Merano
Da lontano era un'isola, 2019, exhibition view, Kunst Meran, Merano
white noise (scuro-scuro) #04, 2019, polyurethane foam, aluminium, iron, rubber, pellet ash, marble dust, volcanic ash, cm 158 x 100 x 100. Exhibition view, Da lontano era un'isola, Kunst Meran, Merano
Archipelago, 2018, installation view at incurva, open studio, Punta San Nicola, Favignana
Archipelago, 2018, installation view at incurva, open studio, Punta San Nicola, Favignana
ground-ground #02, 2018, iron, silicone, foam and rubber scraps, cm 55 x 235 x 95
Hybrids, 2018, installation view, Lustwarande, Tilburg
Her (low), 2018, metal, car fragment, epoxy resin, clay, cm 135 x 10 x 60
Cellar #3, 2018, fragments of car components (aluminium, plastic) tree branches, silicone rubber, urethan foam, clay, synthetic clay, steel cable, cm 183 x 100 x 13 (variable dimensions)
Field #3, 2018, car fragment, wood, epoxy resin, marble dust, vulcanic ash, cm 100 x 100 x 616
ground-ground, 2017, exhibition view, SpazioA, Pistoia
ground-ground, 2017, exhibition view, SpazioA, Pistoia
ground-ground, 2017, exhibition view, SpazioA, Pistoia
Offspring 2017 - DEEP STATE, 2017, exhibition view, De Ateliers, Amsterdam
Offspring 2017 - DEEP STATE, 2017, exhibition view, De Ateliers, Amsterdam
Untitled, 2016, ash bones, plaster, graphite powder, silicon rubber, natural asphalt, bones, char, fresh fruits, car fragments, polyester resin, installation view at Billytown, Den Haag
Untiled, 2016, chair fragments, black bones, graphite powder, installation view at Frigoriferi Milanesi, Milano
Untiled, 2016, ash bones, plaster, graphite powder, cristobalite, sodalite, silicone rubber, fresh fruits, polyester resin, variable dimensions
Mai, 2014, exhibition view at Tile Project Space, Milano
La terra bassa, 2014, exhibition view, SpazioA, Pistoia
Almost Invisibles, 2014 , exhibition view at AKV St.Joost, Den Bosch-Breda
Wet gray-ground(2 pieces), 2013, plastic foils installation view, -w-o-l-k-e, Brussels
If you want me again look for me under your boot-soles, 2013, exhibition view at Artissima, 2013 Present Future
Halfground, 2013, exhibition view SpazioA project space, Pistoia
WAITING ROOM / exercise for a fall, 2011-2012, neon lights, cables. variable dimensions
Dove comincia il buio, 2011, lamp, electric cable, dimensions variable
PASSO, PIAZZA, STRADA/esercizio per una rottura, 2011, broken asphalt plate placed on floor cm 203 x 146 x 2

SOLO EXHIBITIONS
2021
• Giulia Cenci – backland, Galerie Fons Welters, Amsterdam, NL
• TALLONE DI FERRO, Museo Novecento, Firenze, IT

2020
• MAXXI BVLGARI PRIZE 2020, MAXXI, Roma, IT
• fango, SpazioA, Pistoia,IT
• Giulia Cenci, curated by Marie-Noëlle Farcy, MUDAM, Luxembourg

2019
• Art Basel | Basel, Statements section, CH
• Da lontano era un’isola, curated by Christiane Rekade, Kunst Merano Arte, Merano, IT

2017
• ground ground, SpazioA, Pistoia, IT
• a través, Carreras Mugica (Hall), Bilbao, ES
• Offspring 2017 – DEEP STATE, curated by Lara Almarcegui and Martijn Hendriks, De Ateliers, Amsterdam, NL

2016
• LDD 05 (duo project with Marco Mazzoni) BEZ NAZVANIYA, Laboratorio del dubbio, Torino, IT

2014
• Mai, Tile Project Space, Milano, IT
• La terra bassa, SpazioA, Pistoia, IT

2013
• Present future, Artissima, Torino, IT
• Default, curated by Antonio Grulli, Gaff, Milano, IT
• Halfground, SpazioA project space, Pistoia, IT

2011
• Tutto quello che non riesco a dirti, project curated by Lelio Aiello, Y’art Project, Bologna, IT

RESIDENCIES

2018
BoCSArt, Cosenza, IT
Curva Blu, InCurva recidency, Favignana, IT

2015 – 2017
de Ateliers, Amsterdam, NL

2012
September 18 – October 22 at HIAP, Helsinki, FI
Are We Really Free?, tutor Liliana Moro (IT), FondazioneAntonio Ratti, Como IT

GRANTS AND PRIZE

MAXXI BVULGARI PRIZE 2020 (shortlisted artist, selected by Marianna Vecellio
Werkbijdrage Jong Talent by Mondriaan Fonds (grant)
BATTAGLIA FOUNDRY SCULPTURE PRIZE (shortlisted, selected by Simone Menegoi)
Present Future, Artissima, Torino (shortlisted, selected by Qinyi Lim)

BIBLIOGRAPHY
– metamorphosis numero1, exhibition catalogue, edited by Fondazione Bortolaso-Totaro_Sponga, 2021
-MAXXI Bulgari Prize 2020, exhibition catalogue, 2020
-D. de Beauvais, HOT! Giulia Cenci “Calm block fallen down here from an unseen disaster”, CURA nr 32, pp. 213-218, 2019
-Da lontano era un’isola, Kunst Merano, Merano, exhibition catalogue, 2019
-FutuRuins, Palazzo Fortuny, Venezia, exhibition catalogue, 2019
-That’s IT!, MAMBO, Bologna, exhibition catalogue, 2018
-C. Molteni, Giulia Cenci, Brand new, Flash Art Italia, nr. 336, Dicembre 2017
-Offspring 2017 – DEEP STATE, De Ateliers, Amsterdam, exhibition catalogue, 2017
-The Lasting, l’intervallo e la durata, AAVV, Catalogo of the exhibition, Galleria Nazionale d’arte Moderna, Roma.
-Ripensare il medium: Il fantasma del disegno, Texs by Saretto Cincinelli, Cristiana Collu, Jean-Luc Nancy, Catalog of the exhibition, San Giovanni Valdarno, 2016.
-AA. VV., Moroso Concept For Contemporary Art, Villa Manin, Passariano, Codroipo (Udine) exhibition catalogue, 2015
-G. Bria, Giulia Cenci: una promessa a Milano, Artribune online, gennaio 2015
-C. Gestri, L’orizzonte a pochi centimetri da terra, Artribune online, ottobre 2015
-Vittorini S. Giulia Cenci. Archeologie del presente, arte e critica nr. 79, p. 107
-Grulli, A. inside the ArtVerona-Catalog, AA.VV. Carlo Cambi Editor, Siena, 2012, pp.62-64.
-AA.VV., The choice is yours, Catalog of Advanced Course in Visual Arts at Fondazione Antonio Ratti, Mousse Publishing, Milano, 2012
-Bruciati, A., De Luca M., Nie Dieu Nie Maitre, Catalog of the exhibition, Published by Galleria Massimo de Luca, Mestre-Venezia, 2012
-Farronato, M., Ultime da Via Farini, Artribune, vol. 1, no. 9, 2012, pp. 89

GROUP EXHIBITIONS
2021
(upcoming) Metabolic Rift, Kraftwerk Berlin, presented by Berlin Atonal, Berlin, DE
(upcoming) Nulla è perduto. Arte e materia in trasformazione, curated by Anna Daneri and Lorenzo Giusti, GAMeC, Bergamo
• L’INCONTRO, a selection of works from Silvia Fiorucci Roman’s private collection, curated by Cristiano Raimondi, La Quai, Monaco
• Prima che il gallo canti. Works from Sandretto Re Rebaudengo Collection curated by Tom Eccles, Liam Gillick and Mark Rappolt, Palazzo Re Rabaudengo, Guarene, Italia
• METAMORPHOSIS; a cura di Giovanni Berera, Paolo Bolpagni, Sonia D’Alto, Villa Olmo, Como in collaborazione con Fondazione Bortolaso Totaro Sponga, Como, IT
• FEASTS OF HUNGER, in collaboration with Marco Ghigi’s private collection, SpazioORR, Brescia

2020
• Flow, Francesco Carone’s studio, Pistoia, a project by Francesco Carone and SpazioA, Pistoia, IT
• Shapeshifters, Malmö Konstmuseum, Malmö, SE
• Prospects & Concepts, organized by Mondriaan Fonds, curated by Johan Gustavsson, Van Nelle Fabriek, Rotterdam, NL
• Metallo Urlante, Campoli Presti, Paris, FR

2019
• Jeune création internationale / 15th Lyon Biennale, curated by Palais de Tokyo, Institute of Contemporary Art, Villeurbanne/Rhone-Alpes, FR
• Comrades of Time, Hardspace, Basel, CH
• Art Club #27: #villamedicimylove, curated by Pier Paolo Pancotto Villa Medici – Accademia di Francia, Roma, IT

2018
• Il disegno del disegno, Museo Novecento, Firenze, IT
• FutuRuins, curated by Daniela Ferretti, Dimitri Ozerkov, with Dario Dalla Lana. Promoted by Hermitage
• Museum, St. Petersburg, Palazzo Fortuny, Venezia, IT
• Figure di spago: pratiche di narrazione, curated by Caterina Molteni, Fondazione Baruchello, Roma, IT
• 10 Years of Love, SpazioA, Pistoia, IT
• That’s IT!, curated by Lorenzo Balbi, MAMBO, Bologna, IT
• Hybrids, curated by Chris Driessen & David Jablonowski, Lustwarande, Platform for Contemporary Sculpture, park
• De Oude Warande, Tilburg, NL

2017
• Concretizing the Uninhabitable, Club GAMeC Prize 2017, curated by Domenico de Chirico, MAGUS, Bergamo, IT
• Public Hybrids, curated by David Jablonowski, Art Cologne 2017, DE
• Deposito d’arte italiana presente, curated by Ilaria Bonacossa and Vittoria Martini, Artissima, Torino, IT
• A Bearable Lightness of Being, Grimm gallery, Amsterdam, NL

2016
• Sessile, curated by Josh Minkus, Clifford Gallery, Colgate Univesity, Hamilton New York, USA
• Disappointment Island, organised by Galeria Stereo, Griffin Art Space, Warsaw, PL
• La fine del nuovo / The End of the New – cap.VII | Chiavi in mano / Keys in Hand, Avoncampolin noprofit, Pordenone, IT
• The Lasting. L’Intervallo e la Durata, curated by Saretto Cincinelli, Galleria Nazionale di Arte Moderna e Contemporanea, GNAM, Roma, IT
• Back in Five Minutes, Martin Van Zomeren, Amsterdam, NL
• Time Out of Mind, a project by Whatspace curated by Jeroen Doorenweerd, Billytown, Den Haag, NL
• Inside David’s thigh, organized by Nicola Martini, Room service, New York, USA

2015
• Ri-pensare il medium: il fantasma del disegno, curated by Cristiana Collu and Saretto Cincinelli, Casa Masaccio, San Giovanni Valdarno, IT
• Biennale Giovani, Monza, Palazzo dell’Arengario, Monza, IT
• Neighbours vol. III, Neighbours, Gent, BE
• Premio Moroso, Villa Manin, Passariano, Codroipo (Udine) IT
• Lumination, curated by Alex Bacon, Patricia Low Contemporary, Gstaad, CH

2014
• Almost Invisble Series, Open Studio at AKV St.Joost, Den Bosch-Breda, NL
• T, curated by Giovanni Oberti, Via Carlo Porta, Monza, IT
• Premio Santa Croce, curated by Ilaria Mariotti, Villa Pacchiani, Santa Croce Sull’Arno, IT

2013
• Xohouille, w-o-l-k-e, Brussels, BE
• Desktop/cartabiancaxpalermo, ZAC Palermo, IT
• Still Light, HIAP, Suomenlinna, Helsinki, FI
• Fessure, curated by Ermanno Cristini, Luca Scarabelli, Samuele Menin. MIDEC, Cerro di Laveno, Varese, IT
• Picasso D’Oro, Studio VP93, Milano, IT
• Caduta di Stile, INTERNO 4, Bologna, IT

2012
• Ni Dieu Ni Maitre, curated by Andrea Bruciati, Galleria Massimo de Luca, Mestre, Venice, IT
• Differenti Attitudini, curated by Roberto Daolio, Vero Stoppioni Museum, Santa Sofia, Forlì, IT
• Corso Aperto, collective exhibition of the participant artists of XVIII Advanced Course in Visual Arts, Visiting Professor Liliana Moro, curated by Andrea Lissoni, Antonio Ratti Foundation, Como, IT
• Casabianca, curated by Anteo Radovan, Bologna, IT
• Echoes, project by Katia Baraldi, EX- BRUN Farnè Space, Bologna, IT
• cartabianca_bologna, collective exhibition curated by Silvia Cini, in cooperation with Francesca Serrati, and Roberto Daolio, Anna Santomauro, Massimo Marchetti, Museum of Contemporary Art Villa Croce, Genova, IT