1/37 Not a Pillar Not a Pile (Tanz für Dore Hoyer), 2018, exhibition view, SpazioA, Pistoia
2/37 Entangled #07 - #08, 2018, print on Epson premium luster photo paper, cm 48 x 81 (each), diptych
3/37 Not a Pillar Not a Pile (Tanz für Dore Hoyer), 2018, exhibition view, SpazioA, Pistoia
4/37 Entangled #03, 2018, print on Epson premium luster photo paper, cm 68 x 115
5/37 Prix de Rome, 2017, exhibition view, Kunsthal, Rotterdam
6/37 AAA (Mein Herz), 2016, video, 4'30''
7/37 Untitled (A Song), 2016, exhibition view, Galeria Macchina, Santiago (Chile). Ph. Benjamin Matte
8/37 Between the Sounds, 2016, exhibition view, Muzeum Sztuki w Łodzi, Poland.
9/37 Between the Sounds, 2016, exhibition view, Muzeum Sztuki w Łodzi, Poland.
10/37 Between the Sounds, 2016, exhibition view, Muzeum Sztuki w Łodzi, Poland.
11/37 Between the Sounds, 2016, exhibition view, Muzeum Sztuki w Łodzi, Poland.
12/37 Between the Sounds, 2016, exhibition view, Muzeum Sztuki w Łodzi, Poland.
13/37 Into the Interior, 2015, exhibition view, SpazioA, Pistoia
14/37 Into The Interior (Last day of the permanent exhibition), 2014, HD, 2 channel video, 18’50’’ loop, SpazioA, Pistoia
15/37 Into the Interior, 2015, exhibition view, SpazioA, Pistoia
16/37 Stimme, 2013 HD, single channel video, 16'56”, loop
17/37 Towards a further word, 2014 exhibition view Kunstverein Bielefeld, Bielefeld
18/37 Towards a further word, 2014 exhibition view Kunstverein Bielefeld, Bielefeld
19/37 Of More Than One Voice, 2013 exhibition view Museum Of Contemporary Art ARTIUM, Vitoria-Gasteiz
20/37 Of More Than One Voice, 2013 exhibition view Museum Of Contemporary Art ARTIUM, Vitoria-Gasteiz
21/37 My lifetime (Malaika), 2012 exhibition view, SpazioA, Pistoia
22/37 My lifetime (Malaika), 2012 exhibition view, SpazioA, Pistoia
23/37 My lifetime (Malaika), 2012 exhibition view, SpazioA, Pistoia
24/37 My lifetime (Malaika), 2011 video HD, 5’37’’, loop
25/37 Rise Again, 2011 video HD, 11’20’’, loop
26/37 The motto of today, 2011 video HD, 20’12’’, loop
27/37 The Perfect Sound, 2009 video DVD, '-14’30’’, loop'
28/37 Today’s motto is ‘Do one thing passengers that one helps, 2011 exhibition view City Museum, Ljubljana
29/37 Memoria, 2011 exhibition view CRAC, Centre Régional d’art Contemporain, Sète
30/37 I think that here I have heard my own voice coming to me from somewhere else, 2010 installation view, Fri-Art– Centre d’art de Fribourg
31/37 We need to have civil consciousness and basta, 2010 video DVD, 8’00’’, loop
32/37 Parapoetic, 2010 installation view, TENT, Rotterdam
33/37 Shoum, 2009 video DVD, '-7’00’’, loop'
34/37 Don’t Do it Wrong, 2007 video DVD, '-10’13’’, loop'
35/37 One or Two Songs, on Someone or Something in Particular, 2007 video DVD, 4’46’’, loop
36/37 There Is No Is, 2006 video DVD, 1’50’’, loop
37/37 Schermata 2017-11-29 alle 16.04.57

KATARINA ZDJELAR
biography PDF

Born 1979, Belgrade, Yugoslavia
Lives and works in Rotterdam and Belgrade.

EDUCATION

2004-2006    Piet Zwart Institute, Willem de Kooning Academie, MA Fine Art, Rotterdam, the Netherlands;
1999-2004    University of Arts Belgrade, Faculty of Applied Arts, Serbia.
2001-2002    CENPI, Centre for Contemporary Theatre and Performance Art, Art Theory, Belgrade, Serbia.

SOLO EXHIBITION

2018

57th October Salon, Belgrade

Vladimir, Salzburg Kunstverein, Salzburg (upcoming)

Not a Pillar Not a Pile (Tanz für Dore Hoyer), SpazioA, Pistoia, IT (upcoming)

Ungrammatical, Art City 2018, Padiglione dell’Esprit Nouveau, Bologna IT

2016
To Walk a Line, curated by Ekaterina Degot, Akademie der Künste der Welt, Cologne, DE
Between sounds, Museum Sztuki, Lodz, PL

2015
Into the Interior, SpazioA, Pistoia

2014
Towards a further word, Kunstverein Bielefeld, Bielefeld;

2013
Of More Than One Voice, curated by Peio Aguirre, Museum Of Contemporary Art ARTIUM, Vitoria- Gasteiz

2012
My lifetime (Malaika), SpazioA, Pistoia, IT
And In Between, Katarina Zdjelar and Thomas Locher, Galerie Stadtpark, Krems, A;

2011
Act I, Act II, CIRCUS Gallery, Berlin, D;
Today’s motto is ” Do one thing passengers that one helps”, curated by Alenka Gregoric, City Museum, Tobacna 001 Gallery, Ljubljana
Katarina Zdjelar-Stepping In-Out, Centre for Contemporary Art Celje, Celje, SLO;

2010
I think that here I have heard my own voice coming to me from somewhere else, curated by Corinne Charpentier, Centre d’Art Contemporain, Fribourg, CH;
Katarina Zdjelar-One or two songs, CIRCUS Gallery, Berlin, D;
Katarina Zdjelar& Michael Hoepfner, ar/ge kunst Galerie Musum, curated by Luigi Fassi, Bolzano/Bozen,IT;
video room, Katarina Zdjelar-Shoum, curated by Nacho Valle, Galería Valle Ortí, Barcelona, E;

2009
Katarina Zdjelar-Parapoetics, curated by Mariette Dolle,TENT., Centrum Beeldende Kunst, Rotterdam, NL;
Pronuncie CAV, curated by Miguel Amado, Centro de Artes Visuais, Coimbra, P;
But if you take my voice, what will be left to me?, The 53rd Venice Biennial, Serbian Pavilion , Venice, IT
Shoum, LOOP 09, Mirta Demare Projects, Barcelona, E;
Edition #3, SKOR, The Precarious State project, , Amsterdam, NL;
Katarina Zdjelar- Speaking through each other’s mouth, Salon of Museum of Contemporary Art Belgrade,Belgrade, SRB;

2008
The Perfect Sound, VIVID, Birmingham, UK;
Katarina Zdjelar-Everything is Gonna Be, Ellen de Bruijne Projects, curated by Joris Lindhout, Amsterdam
Everything is gonna be, curated by Alexandra Fau, Anne de Villepoix Gallery, Paris, FR;
LOOP 08, Mirta Demare Gallery, Barcelona, E;
Another Project, with Renee Ridgway, curated by Emily Pethick, CASCO, Office for Art, Theory and Design, Utrecht, NL;

2007
Bez prevoda, Gallery of Contemporary Art, Pancevo, SRB;

2006
Back to back by heart, Mirta Demare Gallery, Rotterdam, NL;
Would that be alright with you if I bring my cat along, curated by Suchan Kinoshita, Hedah, Center for Contemporary Art,Maastricht, NL;

SELECTED GROUP EXHIBITIONS AND SCREENINGS

2018

10 Years of Love, SpazioA, Pistoia

Experimenta – Make Sense [Triennial International of Media Art], Lock-up Gallery, Newcastle, AUS

2017
Prix de Rome Visual Arts 2017, Kunsthal, Rotterdam NL
Video Box – Museum Matters, Staatsgalerie, Stuttgart, DE
Symptoms of Society, Oslo Museum of Contemporary Art, N
Classic Video Art, Museum Hilversum, Hilversum, NL
Selected Artists’ Moving Image (part of EYE on Art), EYE Filmmuseum, Amsterdam
Yokohama Screening, Yokohama Triennale 2017, Yokohama Museum of Art
This is a Voice, Powerhouse Museum, Sydney
63° International Short Film Festival, Oberhausen
The Revolution is dead. Long live the Revolution!, Kunstmuseum Bern and Zentrum Paul Klee, Bern
Cold Front from the Balkans, curated by Ali Akay and Alenka Gregorič, Pera Müzesi-Museumi , Istanbul
Kochi-Muziris Biennale, different venues, India

2016
MOCA, Museum of Contemporary Art, Belgrade, SRB (upcoming)
Only the Western World, curated by Luigi Fassi, MAM – Mario Mauroner Contemporary Art, Vienna, AT
Blindpiecing Earfolding, curated by Britt Hatzius, The Mini Microcinema, Cincinnati, USA
Spectral Museum, L’île d’en face, Jardin C – La Fabrique, Nantes, FR
Short Film Festival Oberhausen, Oberhausen, DE
This is a Voice, Wellcome Collection, London, UK
Crisis of presence, curated by Luigi Fassi, Pori Art Museum, FIN
New-Remembering, curated by Stephanie Han, c3 contemporary art space, St. Abbotsford, AUS
Putting rehearsal to the test, curated by Sabeth Buchmann, Ilse Lafer & Constanze Ruhm, Leonard & Bina Ellen Art Gallery – Concordia University, Montreal, CAN
Busan Biennale 2016, curated by Yun Chea Gab, Busan, KR

2015
4 works, 55 artists, one drawing, curated by Maziar Afrassiabi, Rib, Rotterdam, NL
Trans(?)duction, CNAI, Chatou, FR
Re-Discovery IV, curated by Inke Arns, Autocenter, Berlin DE;
The Voice, curated by Vladimir Vidmar, Škuc Gallery, Ljubljana SLO;
Polyphonies, curated by Véronique Leblanc, Optica, Montréal, CDN;
OFF Biennale Budapest, Budapest HU, Wilhelm-Hack-Museum, Ludwigshafen am Rhein, DE;
Are you talking to me? curated by Öykü Özsoy Who’s speaking?, Klemm’s, Berlin, DE;
M/other Tongue, curated by Sabel Gavaldon Tenderpixel, London, UK

2014
WIR SIND ALLE BERLINER: 1884 – 2014, curated by Simon Njami, SAVVY Contemporary, Berlin, DE;
New Beginnings, curated by Sandra Demetrescu and Misela Blanusa, MNAC, Bucharest, RO;
Der Leone Have Sept Cenbeças, CRAC Alsace, curated by Filipa Oliveira and Elfi Turpin, Altkirch;
Father Can’t you see I am burning, De Appel Contemporary Art Centre, Amsterdam;
43rd Rotterdam Film Festival, Rotterdam;
Altered Connections, Hunt Gallery, St. Luis;
Invisible Violence, curated by Zoran Eric, Seamus Kealy, Blanca de la Torre, Museum of Contemporary Art, Belgrade;
Where are we now?, 5th Marrakech Biennale, curated by Hicham Khalidi, Marrakech;
Air of Songs, Centre for Contemporary Art Celje, Celje;

2013
Air of Songs, Centre for Contemporary Art Celje, Celje, SLO;
Artists’ Film Club: Katarina Zdjelar, ICA, Institute for Contemporary Art, London, UK;
Change the scenation, Le 116- Centre d’art contemporain, Montreuil, FR;
At the outset, conceived by Katarina Zdjelar, CIRCUS, Berlin, D;
If Mind Were All There Was, Kunstverein Gottingen, Gottingen, D;
Constelaciòn Europa, curated by Peio Aguirre, San Telmo Museoa, Donostia-San Sebastiàn, ES;
5th Moscow Biennale, Space of exception, curated by Jelle Bouwhous and Elena Sorokina, Moscow, R;
His master’s voice: on voice and language, curated by Inke Arns, HMKV, Dortmund,D;
42nd International Film Festival Rotterdam, NL (screening);
Testing (Re) Production, Muzeum Sztuki, Lodz, PL (screening);

2012
The Silent University, Tate Modern, London, UK;
Babarians of the Upper-Class – Masquerades and Consequences of Systemic Violence, curated by Sabine Winkler, Ratskeller, Berlin, D;
Becoming Voice, film programme curated by Florian Wüst and Maxa Zoller, South London Gallery, London, UK;
Acts of Voicing, Württembergischer Kunstverein Stuttgart, D;
Schlagwörter und Sprachgewalten, curated by Nadia Scheider, Kunsthaus Baselland, Basel, CH;
Time, Trade, Travel, curated by Jelle Bouwhuis and Kerstin Winking,SMBA, Stedelijk Museum Buro Amsterdam, NL;
traveling to Nubuke Foundation, Accra, GH;
AN Eignungen, curated by Ursula Schöndeling, Kunstverein Langenhagen, D;
Simultan, curated by Bettina Klein, CEAAC, Strasbourg, FR ;
41st Rotterdam Film Festival, Rotterdam, NL;
Rearview Mirror, Art Gallery of Alberta, curated by Christopher Eamon, Alberta, CAN;
DLA WAS/FOR YOU, Muzeum Sztuki, curated by Jaroslaw Lubiak and Maria Morzuch, Lodz, PL;

2011
Jobbers to the stars, curated by Claire Shallcross, CGP, London UK;
Beyond the Truth, curated by Galit Eilat and Alenka Gregoric, City Art Gallery , Ljubljana, SLO;
It’s Time We Got To Know Each Other, 52nd October Salon, curated by Galit Eilat and Alenka Gregoric, Belgrade, SRB;
When the Day‘s Loud Voices Do Not Keep Quiet, video screening, curated by Nadia Schneider, Schaulager, Basel, CH;
Frieze Film, curated by Sarah McCrory, commissioned by Frieze Foundation, Frieze Art Fair, London, UK;
Iron Applause, curated by Lucia Gavulova, Tijana Stepanovic, Slovak National Gallery, Bratislava, SK;
On not to, Galeria Fernando Santos, Porto, P;
Rearview Mirror, curated by Christopher Eamon, The Power Plant, Toronto, CDN;
is that true? possibilities of (non-)knowledge, curated by Petra Reichensperger, Kunsthaus Dresden, Dresden, D;
Poetic Things That Are Political, screening programme, curated by Miguel Amado, Chiado Museum, Lisbon, P;
255 804 km², Young art from the former Yugoslavia, curated by Alenka Gregoric and Mateja Podlesnik, Hilger Brot Kunsthalle Vienna, Vienna, A;
ASeeing the Capital, Perla-Mode, curated by Jeanne Gillard, Nicolas Rivet and Laurence Schmidlin, Zurich, CH;
Prix de Rome, SMART Project Space, Amsterdam, NL;
The Curious Case of Ifs and Whens, 10 years of Dimitrije Basicevis Award, curated by Radmila Joksimovic, Museum of Contemporary Art of Vojvodina, Novi Sad, SRB;
How to Work, screening programme, Kunsthalle Basel, Basel, CH;
11th Go-East Filmfestival; Spoken Words and Misheard Lyrics, video screening curated by Katrin Mundt, Wiesbaden, D;

2010
Memoria, CRAC, Centre Régional d’art Contemporain, Sète, FR;
Il Ventre di Napoli, curated by Patricia Pulles, Fondazione Morra / Palazzo delle Sperimentazioni, Naples, IT;
There Has Been No Future, There Will Be No Past, curated by Sandrine Canac and Marco Antonini, ISCP, New York, USA;
Fremd, curated by Corinna Bimboese and Heike Sütter, ATELIERFRANKFURT, Frankfurt am Main, D;
FAQ Serbia, curated by Branislav Dimitrijevic& Andreas Stadler, ACF-Austrian Cultural Forum, New York, USA;
For the Birds, curated by Hilde de Bruijn, Site Gallery, Sheffield, UK;
VoTh, curated by Alisa Prudnikova, Kseniya Fedorova, Marjan Teeuwen, NCCA, National Centre for Contemporary Art, Ekaterinburg, RU;
>50% image, video screening, Netherlands Media Art Institute Montevideo, Amsterdam, NL;
Indefinite Destinations, curated by Vessela Nozharova and Oyku Ozsoy, The Red House, Sofia, BG;
Remote viewing. The best of LOOP, curated by Paul Young, Arts Santa Monica, Barcelona, E;
For the Birds, at SMART Project Space, curated by Hilde de Bruijn, Amsterdam, NL;
Art Sheffield 2010: Life-A User’s Manual, curated by Frederique Bergoltz and Annie Fletcher, Sheffield
Vital Signs, Courtisane Festival, screening curated by Stoffel Debuysere and María Palacios Cruz, Gent
Second Scénario, la Box, curated by Céline Poulin and Gregory Castera, Bourges, FR;
Searching Songs, curated by Keiko Okamura, Tokyo Metropolitan Museum of Photography, Tokyo, J;
Try different keywords, curated by Glòria Pou, Galeria Estrany-de la Mota, Barcelona, E;
Let’s Talk about Nationalism! Between Ideology and Identity, curated by Rael Artel, Kumu Art Museum, Tallinn, EST;
39th International Film Festival Rotterdam, Rotterdam, NL;
Esemplasticism: The Truth is a Compromise, TAG, The Hague & CTM (Club Transmediale), Berlin, D;
Almost there, curated by Minna Rainio, Katherine E. Nash Gallery, Regis Center of Art, Minneapolis
Lecture Performance, curated by Jelena Vesic, Kathrin Jentjens, Radmila Joksimovic, Anja Nathan-Dorn, Belgrade, SRB
Indefinite Destinations, curated by Vessela Nozharova and Öykü Özsoy, DEPO, Istanbul, TR

2009
Morality. Act II: From Love to Legal, curated by Juan Gaitan and Nicolaus Schafhausen, Witte de With Centre for Contemporary Art, Rotterdam, NL;
Never Dance Alone, curated by Pascale Pronnier, Le Fresnoy, FR;
Posao, Obitelj, Skola, curated by WHW, Galerija Nova, Zagreb, HR
The 50th October Salon Circumstance, curated by Branislava Andjelkovic, Belgrade, SRB;
After All, Everything Is Different In The End, curated by Jens Maier-Rothe, HISK, Gent, B;
29th Graphic biennial, curated by Alenka Gregori, Skuc Gallery, Ljubljana, SLO;
Voice weekend, initiated by Myriam Van Imschoot, Jan van Eyck Academie, Maastricht, NL;
The Uncertainty Principle / How fast does an idea travel?, curated by Chus Martinez and WHW, MACBA, Barcelona, E;
Resonant Voices Bodies Memories, video screening curated by Anke Bangma, Lina Issa, Deirdre Donoghue, Katarina Zdjelar, Etablissement d’en Face, Brussels & Piet Zwart Institute, Rotterdam, NL;
Keep it to yourself, curated by Ann Demeester, video screening as a part of book launch of F.R David, De Appel, Amsterdam, NL;
Soft Manipulation or Who is afraid of the new now?, curated by Zoran Eric, Enrico Lunghi, Maria Lind, Foundation 3,14, Bergen, N;
VIDEOS EUROPA, curated by Pascale Pronnier, Studio national des arts contemporains, Le Fresnoy, Lille,
Expanded Box, curated by Carolina Grau, ARCO 09, Madrid, E;
Happy together. Critical reflections on collective identities, curated by Minna L.Henriksson and Mika Hannula, Tallinn Art, Hall, Tallinn, EST;

2008
Soft Manipulation or Who is afraid of the new now?, curated by Zoran Eric, Enrico Lunghi, Maria Lind, Casino Luxembourg
Between a Rock and a Hard Place, video screening curated by WHW, Rawabet Theater, Kairo, ET;
The Right To Stay For All, Human Rights Film Festival, Vienna, A;
LOOP at Art Forum, curated by Sabrina Van der Ley, Art Forum, Berlin, D;
Subjective Events, Sometimes Recorded, curated by Elena Sorokina, Art Laboratory Berlin, D;
The Right To Stay For All, Academy of Fine Arts Vienna, A;
49th October Salon, Artist-Citizen. Contextual Art Practices, curated by Bojana Pejic, Belgrade SRB;
TINA B., The Prague Contemporary Art Festival, FORMS OF ENGAGEMENT, curated by Blanca de la Torre, Prague, CZ;
It is raining outside but I don’t believe that it is, curated by Ana Nikitovic, Banja Luka, SPAPORT Annual International Exhibition, Bosnia and Herzegovina;
Le musee des recontres, curated by Alexandra Fau, Galerie Cortex Athletico, Bordeaux, FR;
Towards a Future Present, curated by Taru Elfving and Rickard Borgstrom, LIAF 08, Lofoten, N;
The Promised Land, curated by Blanca de la Torre, CAM, The Chelsea Art Museum, New York, USA;
Visibility Works, curated by Eszter Lazar, Hungarian University of Fine Arts, Budapest, H;

2007
If I can’t dance I don’t want to be part of your revolution, curated by Annie Fletcher and Frederique Bergholtz, Antwerp, B;
MuHKA, Museum of Contemporary Art, Antwerp, B;
The nature of evil, curated by Aura Seikkula, Finnish Museum of Photography, Helsinki, FIN;
PARALLAX- A View from a Different Angle, New Visual Tendencies Festival, curated by Maja Ciric, Belgrade SRB;
Boeren meisjes, curated by Maaike Gouwenberg, Centum Beldende Kunst, Amsterdam, NL;
Open Studio, ISCP, New York, USA;
Wolkom in it Heitelan, curated by Wouter Osterholt en Elke Uitentuis, Fries Museum, Buro Leeuwarden, Leeuwarden
Mangelos Award exhibition, Kontekst Gallery, Belgrade, SRB;
Audio Lab, curated by Tobias C. van Veen, SAT Gallery, Oklahoma City, CA;
52nd International Venice Biennale, video program curated by Edi Muka, Venice, IT;
Centrifugal, curated by Minna L. Hendrikson, SC, Zagreb, HR;
Everything we want to know but didn’t dare to ask, TICA, Tirana Institute for Contemporary Art, Tirana, AL;
Tijdelijk Museum, curated by Hilde de Bruin, SMART Project Space, Amsterdam, NL;
Paranoia, curated by Predrag Pajdic, Freud Museum, London, UK;

2006
Beauty Unrealized, curated by Angela Serino, PSWAR, Amsterdam, NL;
Upgrade!, AudioLab, Montreal, curated by Tobias van Veen, IAO Gallery, CA;
Wherein certain persons…, TENT., Center for Visual Art, Rotterdam, NL;
The Peekskill Project, Peekiskill, curated by Blanca de la Torre García, HVCCA, Hudson Valley Center for Contemporary Art, New York, USA;
Paranoia, curated by Predrag Pajdic, Focal Point Gallery, Southend and Leeds City Art Gallery, Leeds, UK;

2005
Radiodays, curated by CTP 05, De Appel, Centre for Contemporary Art, Amsterdam, NL
Belgrade in the Past and Present Belgrade, curated by Marko Stamenkovic, Prodajna galerija, Belgrade, SRB;
How to send a message, Het Wilde Weten, Rotterdam, NL;
Relocated identities I. Overexposure, curated by Eva Fotiagi and Tamuna Chabasvili, PSWAR, Amsterdam, NL
Think performance, by TKH, Museum of Applied Arts, Belgrade, SRB;
Round trip, Rotterdamse Schouwburg, Rotterdam, NL

WORK IN PUBLIC COLLECTION

Stedelijk Museum Amsterdam;
MACBA, Museum of Contemporary Art Barcelona;
Museum Sztuki, Lodz;
Museum of Contemporary Art Belgrade.

RESIDENCIES

2013 Mondriaan Foundation/Air Berlin Alexanderplatz, Berlin
2010/11 Rijksakademie van beeldende kunsten/Dutch Ministry of Education, Culture and Science, Amsterdam
2008 VIVID, Birmingham
2007 ISCP, International Studio and Curatorial Program, New York
Platform Garanti Centre for Contemporary Art, Istanbul
TICA, Tirana Institute for Contemporary Art, Tirana, Albania

GRANTS / AWARDS / NOMINATIONS

2017
Prix de Rome 2017 (nominée)

2013
Mondriaan Fonds, project grant

2012
Fondation Prince Pierre de Monaco, International Prize of Contemporary Art (nominée)

2011
C.O.C.A commission, Rotterdam

2010
Prix de Rome , Amsterdam (nominée)
Janela Internacional de Cinema do Recife: Best Sound and the Pernambuco Filmmakers Association Award, BR

2009
The 50th October Salon Award, Belgrade
FONDS BKVB, Project grant
FONDS BKVB, Startstipendium
DKC, Research Grant, Rotterdam

2007
De Volkskrant Beeldende Kunst Prijs 2007, nominated by Annie Fletcher, Amsterdam
B.M.W. Award 2007, nominated by Maaike Gouwenberg, CBK Zuid Oost, Amsterdam
Dimitrije Banisevic Mangelos Award, Belgrade, Serbia

2006
Promotieprijs Award for the advancement of practice, Rotterdam, The Netherlands

2005
Nuffic, The Netherlands State Secretary for Education, Culture and Science, The Netherlands
Fond for Young Talents, Serbian Ministry of Education, Serbia
Felix Meritis Foundation, Mitra scholarship, the Netherlands Ministry of Education, Culture & Science, The Netherlands

2004
Aleksandar Tomasevic Award, University of Arts Belgrade

SELECTED BIBLIOGRAPHY

2015
Katarina Zdjelar, Towards a Further Word, editor Thomas Thiel, Spector Books

2013
Katarina Zdjelar, Of More than a Voice, Artium, Vitoria-Gasteiz
20+ Years Witte de With, edited by Zoë Gray,
Simultan, edited by Bettina Klein, CEAAC, Strasbourg

2012
Rearview Mirror, editor Christopher Eamon, The Power Plant, Art Gallery of Alberta
Your center is my periphery: Lost in translation, edited by Rael Artel, PP Publications
Katarina Zdjelar-Stepping In-Out, Celje, edited by Maja Hodiscek, Centre for Contemporary Art, Celje
52nd October Salon, edited by Galit Eliat and Alenka Gregoric, KCB Belgrade
Michael Höpfner & Katarina Zdjelar, edited by Luigi Fassi, ar/ge kunst Galerie Museum, Mousse Publishing

2010
Katarina Zdjelar: Parapoetics, Reader edited by Katarina Zdjelar and Mariette Dölle, published by TENT., Rotterdam
Searching Songs, edited by Keiko Okamura, Tokyo Metropolitan Museum of Photography, Tokyo
2009Annual Catalogue of the Salon of the Museum of Contemporary Art Belgrade, edited by Dejan Sretenovic, MSUB, Belgrade
But if you take my voice, what will be left to me?, Serban Pavilion at the 53rd Venice Bienial, edited by Katarina Zdjelar and Anke Bangma, published by Museum of Contemporary Art, Belgrade
50th October Salon Circumstance, edited by Branislava Andjelkovic, KCB Belgrade
After All, Everything Is Different In The End, edited by Jens Maier-Rothe, HISK, Gent
To be Heard is to be Seen, edited by Tone Hansen, Henie Onstad Art Centre, Høvikodden, NO
Soft Manipulation or Who is afraid of the new now?, edited by Zoran Eric, Enrico Lunghi, Maria Lind, Foundation 3,14, Bergen and Casino Luxemburg

2008
49th October Salon, Artist-Citizen. Contextual Art Practices, edited by Bojana Pejic, KCB Belgrade
TINA B., The Prague Contemporary Art Festival, FORMS OF ENGAGEMENT, edited by Blanca de la Torre, Prague
It is raining outside but I don’t believe that it is, edited by Ana Nikitovic, Banja Luka, SPAPORT Annual International Exhibition, Bosnia and Herzegovina
Visibility Works, edited by Eszter Lazar, Hungarian University of Fine Arts, Budapest

PRESS / REVIEWS

2015
SpazioA: mostra di Katarina Zdjelar, La Nazione, march 2015

2014
Springerin, Towards a Further Word, review by Katrin Mundt, issue 2/14

2013
Art in America, Sounding the Social, feature by David Markus, September issue, 2013
Frieze d/e, Acts of Voicing, review by Elena Zanichelli, April 2013
Mousse online, Katarina Zdjelar at ARTIUM, Vitoria-Gasteiz, 05/04/2013

2012
VUE Weekly, Rearview mirror, by Calolyn Jervis, Issue #853

2011
ARTMargins, Rearview mirror: New Art from Central And Eastrn Europe by Milena Tomc, 24 August
The Star, The Power Plant: Art from the ruins of the Soviet Bloc, by Murray Whyte, July 14
Metropolis M, Serbia: Frequently Asked Questions, review by Melissa Potter, N° 1-2011

2010
Tubelight, Katarina Zdjelar, text by Alexander Mayhew, November 26, 2010
MAP magazine, Emerging: Katarina Zdjelar, text by Aoife Rosenmeyer, issue #23, Autumn 2010
Artforum, review by Dominikus Müller, October 2010
Frieze, review by Esperanza Rosales, April 2010
Frieze, Art Sheffield 2010, by Colin Perry, April 2010
Metropolis M, Lichaam en Taal: Katarina Zdjelar, review by Thomas van Lier, January 2010

2009
Kunstbeeld, Katarina Zdjelar, by Anna van Leeuwen, December 2009/January 2010
Artpulse magazine, WdW Rotterdam: Morality 1&II, text by Caridad Botella, November 29, 2009
NRC, Zdjelar vangt de doodgewone menselijkheid, by Hans den Hartog Jager, December 29, 2009
Tubelight, Katarina Zdjelar, text by Alexander Mayhew, 06.11.2009
Accented expression, The kitchen Van Abbemuseum, by Clare Butcher, October 12, 2009
NY Times, Small World Crammed on Biennale’s Grand Stage, by Michael Kimmelman, June 10, 2009
Metropolis M, Serbian pavilion: Katarina Zdjelar, Christel Vesters, June/July 2009

2008
Remont Art Files, Katarina Zdjelar/Mangelos Award, by Maja Ciric, issue #1

2007
De Volkskrant, Say Gh, Say Ch by Rutger Pontzen, De Volkskrant Beeldende Kunst Prijs 2007. November 22, 2007

2006
Metropolis M, Scouting: Katarina Zdjelar, by Patricia Pulles, August/September 2006